G
Guest
Guest
Archived from groups: rec.audio.pro (More info?)
Hey all,
I have the following gear:
Keyboards/Rackmounts: Roland XV-88, Fantom XR, XV-5050, XV-3080
Software: Cakewalk Sonar 4
Midi Interface: Edirol UM-880
Mixer: Samson MDR 1064
My problem is that, when recording, the output from the keyboards is too
quiet. When I pump up the gain on the mixer, it blows it out (the red lights
light, and the sound ends up clipped). But, the sound is simply too quiet
for this to make any sense to me.
What I'm thinking is that I simply have the wrong mixer. That I need a good
line mixer, but I may need some pre-amps.
As for what I record, it is really all over the map. I've been doing a lot
of broadway stuff lately (having recently completed Seussical). But, for
various area schools, I've been doing orchestrations of pieces ranging from
Reggae to Hebrew, and from the Beatles to Gilbert and Sullivan.
Can anyone recommend either:
a- A good line mixer with good pre-amps. It would need to either accommodate
10 mono channels (allowing 2 for mics), or have 5 good stereo inputs and
some mic inputs. But, I need the pre-amps on all the inputs, not just the
mics.
or
b- A good line mixer with the afore-mentioned inputs but no pre-amps, and a
good rack-mount pre-amp that takes the inputs that I need.
Less equipment is better for me as I don't have a whole bunch of room. But,
I understand that in many cases, you want separate amps because the sound of
integrated amps is usually much worse than stand-alone versions.
Since I made a bad decision on the mixer I bought, I'd rather not make
another one. Thanks for any advice you can offer.
Marc
Hey all,
I have the following gear:
Keyboards/Rackmounts: Roland XV-88, Fantom XR, XV-5050, XV-3080
Software: Cakewalk Sonar 4
Midi Interface: Edirol UM-880
Mixer: Samson MDR 1064
My problem is that, when recording, the output from the keyboards is too
quiet. When I pump up the gain on the mixer, it blows it out (the red lights
light, and the sound ends up clipped). But, the sound is simply too quiet
for this to make any sense to me.
What I'm thinking is that I simply have the wrong mixer. That I need a good
line mixer, but I may need some pre-amps.
As for what I record, it is really all over the map. I've been doing a lot
of broadway stuff lately (having recently completed Seussical). But, for
various area schools, I've been doing orchestrations of pieces ranging from
Reggae to Hebrew, and from the Beatles to Gilbert and Sullivan.
Can anyone recommend either:
a- A good line mixer with good pre-amps. It would need to either accommodate
10 mono channels (allowing 2 for mics), or have 5 good stereo inputs and
some mic inputs. But, I need the pre-amps on all the inputs, not just the
mics.
or
b- A good line mixer with the afore-mentioned inputs but no pre-amps, and a
good rack-mount pre-amp that takes the inputs that I need.
Less equipment is better for me as I don't have a whole bunch of room. But,
I understand that in many cases, you want separate amps because the sound of
integrated amps is usually much worse than stand-alone versions.
Since I made a bad decision on the mixer I bought, I'd rather not make
another one. Thanks for any advice you can offer.
Marc