Digital 17mm Is Not Equivelent 27mm on 35mm Film

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"Mark²" <mjmorgan(lowest even number here)@cox..net> wrote in message
news:Gp_xd.60904$ka2.26406@fed1read04...
>
> "Bill Tuthill" <can@spam.co> wrote in message
news:41c86c74@news.meer.net...
> "Mark²" <mjmorgan(lowest even number here)@cox..net> wrote:
> >
> > "A" <nospam@nospam.com> wrote in message
> >>
> >> If you shoot tall buildings at 17mm on digital (with 1.6 crop factor),
> you
> >> still get distorted pics just like 17mm lenses on 35mm film cameras.
> >
> > The "equivalents" really only apply to *field of view,* since you're
> really
> > just cropping out the middle portion of the normal 35mm film camera's
> image.
>
> Is it also true that if you take a portrait of a person with a big nose
> using a 50mm lens on your DSLR instead of an 85mm(*) lens on your SLR,
> the nose will look bigger in the DSLR picture?
>
> (*) The two aren't quite equivalent, 80mm would be.

-----------
My above post began here:
(for some reason, Bill's post didn't have ">" preceding it in my other
response to him)

> It would give you the same perspective because you would likely back away
to
> the same distance you would have if you used the 80mm on a film camera.
> Remember, the nose:face size ratio (big or smaller nose) is NOT determined
> by the focal length, but instead, the relative difference in distance to
the
> nose tip compared with the distance to the rest of the face.
>
> This is easier to conceptualize if you imagine an EXTREME close-up.
> Imagine yourself taking a picture of someone's face only one inch away
from
> a person's nose. If you did this, the nose would be one inch away, and
the
> rest of their face would be perhaps two inches and further away...TWICE
the
> distance away that their nose was from you.
>
> This will greatly exaggerate the size appearance of the nose because there
> is a nose:face distance ratio of 1:2. This difference will remain true
> regardless of what focal length you have mounted.
>
> Now imagine backing away from the nose/face. As you back away to a full
one
> foot (12 inches) from the nose, the ratio of distance from nose:face has
now
> changed to a far more similar 12:13 ratio (12 inches from the nose, and 13
> inches from the face). As you move back to 8 feet away (for example), the
> ratio of distance from nose vs. distance from face will become tiny
(96:97).
> You can see from this extreme example how the farther you back up, and
less
> out of whack the ratio of distance between (distance to) nose and
(distance
> to) face will become.
>
> **This ratio will remain consistent regardless of what lens you use. What
> WILL change is how much of your subject is visible within the frame.
> So...when you've got your 50mm lens attached, and you add the 1.6 crop
> factor, you will have to back up to a similar distance than you would with
> your ~80mm lens.
> --This will give you the same perspective.
>
> It's all about relative distance to the subject's closest attribute (in
this
> case, the nose) compared with the distance to the rest of the subject.
>
> You've probably seen those funny snap-shots taken of cows, or dogs, where
it
> seems like their nose stretches right out to you? -Those look that way
> simply because they were taken at such close range that the distance ratio
> was extreme...and that they used such a wide-angle lens, that you could
> still see the entire face/head to appreciate the distorted difference.
> -Mark
>
>
 
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Finally, a rational post of how the same focal length behaves with different
film/digital formats.

Having shot from 8x10 down to Nikon Digital (1.5 factor, don't remember
actual sensor size right now). I have seen this for myself and have found a
great deal of misunderstanding in this group. Particularly the silly theory
that focal length in itself affects perspective.

Good on you David

Best,
Dave
 
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Good on you too Chris.

(See my post below)

Best,
Dave

PS - I think that the 35mm equivalent thing is just about how a lot of us
think in terms of 35 regarding which lens for which shot. 75-135 for
portraits (waist up to tightly cropped head shot) while maintaining the
correct PERSPECTIVE between the nose and ears. Try changing that
relationship by changing focal length but maintaining the same camera
distance.
 
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The "big nose" effect is due to camera position. Therefore given the same
cropping (image size) of the person and 50mm lens on a 1.5 factor digital
camera would give the perspective of a 75mm lens on a 35mm camera. (same
distance from subject for same image size as the 75 lens on 35mm camera) A
digital with a 1.6 factor would yield an 80mm perspective. This is all based
on camera distance to subject. Longer lenses flatten perspective thus
allowing nose and ears to appear more correct in their relationship to each
other. (Hope I didn't jumble that too badly)

Hope this helps,
Dave
 

Bob

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"David J. Littleboy" <davidjl@gol.com> wrote in
news:cq7k3i$mqh$1@nnrp.gol.com:

> No! This whole confusion is because the original poster didn't realize
> that lenses function differently on different formats. His claim was
> that the "focal length multiplier" didn't apply!
>

Actually, the OP only said that his 17mm lens has distortion.

QUOTE:
> If you shoot tall buildings at 17mm on digital (with 1.6 crop
> factor), you still get distorted pics just like 17mm lenses
> on 35mm film cameras.

Sounds like a complaint about barrel distortion to me.

Bob
 
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bob <Jwx1.nothing@bellsouth.net> wrote:
>
> QUOTE:
>> If you shoot tall buildings at 17mm on digital (with 1.6 crop
>> factor), you still get distorted pics just like 17mm lenses
>> on 35mm film cameras.
>
> Sounds like a complaint about barrel distortion to me.

Every digicam and DSLR test I have seen so far
shows some kind of barrel distortion, usually much worse than moderate,
often objectionable, at wide angle.

This is even true of overpriced lenses like the Nikon 17-55/2.8 DX.
 
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"David J. Littleboy" <davidjl@gol.com> wrote in message
news:cq7k3i$mqh$1@nnrp.gol.com...
SNIP
> Thinking of it as a "crop factor" is what caused both the original
> poster's error and the common error in which people think the
> DOF stays the same for the same lens. That's because it focuses
> people's minds on a given lens being used on both cameras and
> not realizing that the same lens is functions differently on the
> different cameras.

True, but that's only because DOF is a function of output
size/magnification as well, which has little to do with perspective
(depending on how the other variables are chosen).

> The best term would be "format conversion factor", since that's
> what it is. That would make people realize that the 1.6x cameras
> are a different format from 35mm and allow them to think about the
> different photographic functions of a given lens on the different
> formats.

I agree, but it would probably result in even longer threads... ;-(

Bart
 
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"DSphotog" <dsmith5knot@optonline.net> wrote:

> The "big nose" effect is due to camera position.

Exactly!

> Therefore given the same
> cropping (image size) of the person and 50mm lens on a 1.5 factor digital
> camera would give the perspective of a 75mm lens on a 35mm camera. (same
> distance from subject for same image size as the 75 lens on 35mm camera) A
> digital with a 1.6 factor would yield an 80mm perspective. This is all
based
> on camera distance to subject.

Still spot on, but:

> Longer lenses flatten perspective thus
> allowing nose and ears to appear more correct in their relationship to
each
> other. (Hope I didn't jumble that too badly)

And I hope you don't mind the following quibble<g>.

The longer lens does not "flatten perspective": it provides magnification
(relative to a shorter lens) so that you can achieve the framing you want at
a (longer) distance such that the perspective is "flatter".

David J. Littleboy
Tokyo, Japan
 
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David,

Quibble read, digested and accepted. Even though American English is my
first language sometimes it just doesn't seem that way.

Best,
Dave