that's new to me, but I dont know alot about people who watch only a certain wide image format and not others on a 4:3 set. I dont think it would be the bands that are burned in, but the image area. Especially if you left a bright scene in a movie on pause for a few months! and the DVD player didnt have a screen saver (I dont know of any). 'burn in' is from the brighter stuff, not darker, so the bands themselves wouldnt burn in, just the image in the middle. So, yeah if you normally used only the middle of the set, you should make a point of viewing 4:3 images also
so the bands will burn too. But I wonder about these people you speak of, where they upset because now when they tried to view 4:3, (which they obviously seldom did so why do they care?) they saw the edges of the bands? Or were they complaining they could simply see them when the set was off? (silly). As far as I know, burn in is really a problem mostly with static images like text etc that are left up for extended periods.
Burn in is a NON ISSUE with LCDs, (and SED's) If all you ever wanted to do is watch wide content, and you dont desire being able to move subtitles out of image, then you wouldnt really need a set taller than
a wide set.
I'm not saying they shouldn't make wide sets.
I'm complaining they don't offer 4:3 sets for those of us that prefer them.
In USA at least until we'd be getting the set AFTER our NEXT set, broadcasts will be mostly 4:3. Even after there are fewer new 4:3 productions being made, there'll be rebroadcasts of decades of such programing forever. Lots of movies also were shot in 4:3.
Plus I want a 4:3 set for internet use too.
The industry has forced the shorter (wide) format on us as a replacement
for 4:3 which IMO is a better universal SHAPE FOR SETS and should remain. Wide has been forced upon us by movie directors, I think. But movies are not all we watch. Sitcoms are better suited to 4:3 for example, becuase they are never about the broad views, but the actors. Actors are better shot in 4:3 becuase it more naturally represents how you see them alone or in small groups. I would go out on limb and say I bet many TV directors are not happy about being forced to shoot wide
becuase they either have to show less of the actor's torsos or show
more empty scenery, etc. Such shows work by the viewers seeing the
reactions (mostly facial) of actors to each other. Your eye picks up the
facial actions easier if the actors are not too far apart. Also a large part of
the shots are single shots of the actors that alternate between them. Obviously wide is WAY worse for that. I'll say again, not matter what your
impressions, there REALLY is NO better format. IT DEPENDS. so I just
want what I think is best set to take it all in. 4:3.
so the bands will burn too. But I wonder about these people you speak of, where they upset because now when they tried to view 4:3, (which they obviously seldom did so why do they care?) they saw the edges of the bands? Or were they complaining they could simply see them when the set was off? (silly). As far as I know, burn in is really a problem mostly with static images like text etc that are left up for extended periods.
Burn in is a NON ISSUE with LCDs, (and SED's) If all you ever wanted to do is watch wide content, and you dont desire being able to move subtitles out of image, then you wouldnt really need a set taller than
a wide set.
I'm not saying they shouldn't make wide sets.
I'm complaining they don't offer 4:3 sets for those of us that prefer them.
In USA at least until we'd be getting the set AFTER our NEXT set, broadcasts will be mostly 4:3. Even after there are fewer new 4:3 productions being made, there'll be rebroadcasts of decades of such programing forever. Lots of movies also were shot in 4:3.
Plus I want a 4:3 set for internet use too.
The industry has forced the shorter (wide) format on us as a replacement
for 4:3 which IMO is a better universal SHAPE FOR SETS and should remain. Wide has been forced upon us by movie directors, I think. But movies are not all we watch. Sitcoms are better suited to 4:3 for example, becuase they are never about the broad views, but the actors. Actors are better shot in 4:3 becuase it more naturally represents how you see them alone or in small groups. I would go out on limb and say I bet many TV directors are not happy about being forced to shoot wide
becuase they either have to show less of the actor's torsos or show
more empty scenery, etc. Such shows work by the viewers seeing the
reactions (mostly facial) of actors to each other. Your eye picks up the
facial actions easier if the actors are not too far apart. Also a large part of
the shots are single shots of the actors that alternate between them. Obviously wide is WAY worse for that. I'll say again, not matter what your
impressions, there REALLY is NO better format. IT DEPENDS. so I just
want what I think is best set to take it all in. 4:3.