Can anyone take a good photograph?

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me wrote:
> "Tom Hudson" <gbz@fvathyne.bet.hx> wrote in message
> news:41b5ceb6$0$223$bed64819@news.gradwell.net...
>
> Are your questions philosophical or are you hoping to learn how to improve
> your photography?
>
Philosophical/Psychological/Curious.
I was actually hoping to improve my photography through practice <

> Question: Can anyone take a good photograph?
> Answer: Depends on what you call *good*, but if we assume some level of
> elementary competency there is always the possibility that luck will play a
> part thus resulting in a favorable outcome.
>
>
>>Following on from "What should the serious amateur concern himself
>
> with?"...
>
> That post was fatally flawed by the words "should", "serious" and "amateur"
>
"What the concern himself with?", why that's just silly (that's a joke
btw, for the humour impaired).


>>A good photograph is one that most people can look at and say, "hey,
>>that's a good photograph".
>
> Maybe, depending on what most people consider *good*.
>
I'm assuming a broad range and a lot of generalisation for the sake of
keeping the question simple.


>>The 'rules' of photography are based on what people like the look of.
>>This means that everyone must have the rules of photography built-in.
>>
>>So, my questions are:
>>
>>Is the difference between a good photographer and a bad photographer how
>>in touch they are with their in-built rules?
>
>
> Rules and art make uneasy bed fellows so my answer is not necessarily.
> Unless of course you dismiss the concept that photography is an art form in
> which case you may apply as many rules as you like.
>
See, I ramble on for clarity's sake and still can't get the point
across. Ignore photography completely for a moment.
People can look at an _image_ and see that it is pleasing (or not) to
their eye. In order to decide that it is pleasing or otherwise requires
some kind of processing internally, which suggests rules are involved -
not explicitly learnt rules, but either socially picked up without
realising or something we're born with.
It's not that people like photos because they comply with the 'rules' of
photography, it's that the 'rules' exist because they produce photos
that people like.
Does that make more sense? It's all got a bit more
technical/philosophical than I was aiming for. Meta-photography.


>>Is it possible for anyone to learn this or can some people really not
>>tell what looks good from what doesn't?
>
> Anyone can tell what they think is good just by looking.
>
But can they? Are some people less 'stimulated', for want of a better
word, by visuals? Sorry - it's starting to sound like a psychology exam.


>>If this is the case, how can they tell if a photo looks good?
>
>
> See above.
>
>
>>Can they
>>just not apply it to the things they see around them?
>
>
> No they just can't get it on film.
>
Well that would be a yes for anyone can take a good photo and it's just
a matter of learning.

Tom

 

[ME]

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"Tom Hudson" <gbz@fvathyne.bet.hx> wrote in message
news:41b5fd16$0$220$bed64819@news.gradwell.net...
> me wrote:
> > "Tom Hudson" <gbz@fvathyne.bet.hx> wrote in message
> > news:41b5ceb6$0$223$bed64819@news.gradwell.net...
> >
> > Are your questions philosophical or are you hoping to learn how to
improve
> > your photography?
> >
> Philosophical/Psychological/Curious.
> I was actually hoping to improve my photography through practice <

OK. Lets skip all that other BS and get started. The first step is to
familiarize yourself with the masters of photography. Look here:
http/www.masters-of-photography.com/summaries.html You should also check
your library or book store to find out more about these people and any other
photographers whose work you admire. You don't have to copy their work (you
could at first until you develop a style of your own) but you do have to
know what you like before you can create it.

Below in order of importance is a list of attributes of great photograph:
Compelling subject, at least to you.
Good composition.
Good lighting.

Good Luck!
me

 

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> I think that just anybody can take a good photograph. One lucky shot or from
> time to time.
> Of course, having better equipment and experience help. But they are no
> guarantee.
> One can learn all the technical aspects of photography but there are other
> aspects that cannot be learned.
> Photogrpahy is an art and one has to have a talent for it. Being able to see
> things the way others don't.
>
It's the seeing things part I'm looking at, the choosing what to take
photographs of and how to compose them. I've always thought that anyone
can do anything if they're just interested enough to spend the time on
it. I suppose if you don't have a good sense of taste you'll be useless
as a chef, if you don't have a good visual awareness you won't make a
good photographer.

Tom

 

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"me" <anonymous@_.com> wrote in news:10rbo9pstitmd0d@corp.supernews.com:

> Rules and art make uneasy bed fellows so my answer is not necessarily.
> Unless of course you dismiss the concept that photography is an art
> form in which case you may apply as many rules as you like.

Ahhh ... but there are lots of rules in art.
Just saying that you are making art en a genre
is setting lost of rules.

Most artists are following more rules than they
are breaking.


/Roland

 

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"Paul Bielec" <someone@microsoft.com> wrote in
news:cp4noo$cq7$1@dns3.cae.ca:

> I think that just anybody can take a good photograph. One lucky shot
> or from time to time.
> Of course, having better equipment and experience help. But they are
> no guarantee.
>

I know some good musicians. They can take the cheapest instrument
and make wonderful music. I need much better instruments, and I
still make rather ordinary music.


/Roland

 

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Roland Karlsson wrote:
> "Paul Bielec" <someone@microsoft.com> wrote in
> news:cp4noo$cq7$1@dns3.cae.ca:
>
>> I think that just anybody can take a good photograph. One lucky shot
>> or from time to time.
>> Of course, having better equipment and experience help. But they are
>> no guarantee.
>>
>
> I know some good musicians. They can take the cheapest instrument
> and make wonderful music. I need much better instruments, and I
> still make rather ordinary music.
>

Do you know, or can you imagine, why that is?

--
Frank ess

 

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"Frank ess" <frank@fshe2fs.com> wrote in message
news:eLOdnRNCNKwPiSvcRVn-ig@giganews.com...
> Roland Karlsson wrote:
> > "Paul Bielec" <someone@microsoft.com> wrote in
> > news:cp4noo$cq7$1@dns3.cae.ca:
> >
> >> I think that just anybody can take a good photograph. One lucky shot
> >> or from time to time.
> >> Of course, having better equipment and experience help. But they are
> >> no guarantee.
> >>
> >
> > I know some good musicians. They can take the cheapest instrument
> > and make wonderful music. I need much better instruments, and I
> > still make rather ordinary music.
> >
>
> Do you know, or can you imagine, why that is?

For most...years of practice, and exercising their creative "muscles."

For a rare few...It's a gift that can explode into new bursts of creativity
with little planning or thought.

Most of us fall into the first category.

The good news is that becoming a master doesn't necessarily require the
prerequisite of genius, or extraordinary gifts. Mastery can be gained to
the degree that your acquired vision, and your willingness to reflect on
failures/successes are kept alive through open-minded persistence.

 

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Mark² wrote:
> "Frank ess" <frank@fshe2fs.com> wrote in message
> news:eLOdnRNCNKwPiSvcRVn-ig@giganews.com...
>> Roland Karlsson wrote:
>>> "Paul Bielec" <someone@microsoft.com> wrote in
>>> news:cp4noo$cq7$1@dns3.cae.ca:
>>>
>>>> I think that just anybody can take a good photograph. One lucky
>>>> shot or from time to time.
>>>> Of course, having better equipment and experience help. But they
>>>> are no guarantee.
>>>>
>>>
>>> I know some good musicians. They can take the cheapest instrument
>>> and make wonderful music. I need much better instruments, and I
>>> still make rather ordinary music.
>>>
>>
>> Do you know, or can you imagine, why that is?
>
> For most...years of practice, and exercising their creative "muscles."
>
> For a rare few...It's a gift that can explode into new bursts of
> creativity with little planning or thought.
>
> Most of us fall into the first category.
>
> The good news is that becoming a master doesn't necessarily require
> the prerequisite of genius, or extraordinary gifts. Mastery can be
> gained to the degree that your acquired vision, and your willingness
> to reflect on failures/successes are kept alive through open-minded
> persistence.


I guess the discussion laps against more than one continent: the roles
of technical ability, experience, insight, "genius", and accident, in
accomplishing an image.

Genius can be emulated ( or at least approached ) by experience and
insight, is what I hear.

Technical ability can be acquired by study and practice (experience).

Experience is inevitable, but is only as valuable as the insight gained
during its accumulation.

Inspiration is ...


My view, every image will contain elements of each, none can be ignored,
nor can they be separated out or attributed in some instances; in many,
it may be obvious which influence predominates in the final. Some
combination of inspiration and execution could satisfy few or many
viewers, and result in conflicting evaluations of "goodness".

For my part, I get an inspiration about once every six weeks. My ability
to fix and share that inspiration depends on innumerable variables, and
in maybe one out of six episodes I come close to sticking my "vision" to
the wall. Where it wriggles pleasingly for some and hangs inert and limp
for others.

I think almost none of this is "accidental", that nearly every visible
and every invisible vector is determined and could, with patience and
careful design, be codified to the benefit of the society. But none of
it is easy, none of it grows without the nurture of contemplation and
communication.

To summarize: I know what I like, I try to help others see and
appreciate it, but I ain't got a lot of success or hope for more of it.
If it weren't for the fact that I like the process(es) so much, I might
quit. Well, probably not, but I'm tempted from time to time.

--
Frank ess

 

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"Frank ess" <frank@fshe2fs.com> wrote in message
news:K7mdnc04vZFBqyvcRVn-jw@giganews.com...
> Mark² wrote:
> > "Frank ess" <frank@fshe2fs.com> wrote in message
> > news:eLOdnRNCNKwPiSvcRVn-ig@giganews.com...
> >> Roland Karlsson wrote:
> >>> "Paul Bielec" <someone@microsoft.com> wrote in
> >>> news:cp4noo$cq7$1@dns3.cae.ca:
> >>>
> >>>> I think that just anybody can take a good photograph. One lucky
> >>>> shot or from time to time.
> >>>> Of course, having better equipment and experience help. But they
> >>>> are no guarantee.
> >>>>
> >>>
> >>> I know some good musicians. They can take the cheapest instrument
> >>> and make wonderful music. I need much better instruments, and I
> >>> still make rather ordinary music.
> >>>
> >>
> >> Do you know, or can you imagine, why that is?
> >
> > For most...years of practice, and exercising their creative "muscles."
> >
> > For a rare few...It's a gift that can explode into new bursts of
> > creativity with little planning or thought.
> >
> > Most of us fall into the first category.
> >
> > The good news is that becoming a master doesn't necessarily require
> > the prerequisite of genius, or extraordinary gifts. Mastery can be
> > gained to the degree that your acquired vision, and your willingness
> > to reflect on failures/successes are kept alive through open-minded
> > persistence.
>
>
> I guess the discussion laps against more than one continent: the roles
> of technical ability, experience, insight, "genius", and accident, in
> accomplishing an image.
>
> Genius can be emulated ( or at least approached ) by experience and
> insight, is what I hear.
>
> Technical ability can be acquired by study and practice (experience).
>
> Experience is inevitable, but is only as valuable as the insight gained
> during its accumulation.
>
> Inspiration is ...
>
>
> My view, every image will contain elements of each, none can be ignored,
> nor can they be separated out or attributed in some instances; in many,
> it may be obvious which influence predominates in the final. Some
> combination of inspiration and execution could satisfy few or many
> viewers, and result in conflicting evaluations of "goodness".
>
> For my part, I get an inspiration about once every six weeks. My ability
> to fix and share that inspiration depends on innumerable variables, and
> in maybe one out of six episodes I come close to sticking my "vision" to
> the wall. Where it wriggles pleasingly for some and hangs inert and limp
> for others.
>
> I think almost none of this is "accidental", that nearly every visible
> and every invisible vector is determined and could, with patience and
> careful design, be codified to the benefit of the society. But none of
> it is easy, none of it grows without the nurture of contemplation and
> communication.
>
> To summarize: I know what I like, I try to help others see and
> appreciate it, but I ain't got a lot of success or hope for more of it.
> If it weren't for the fact that I like the process(es) so much, I might
> quit. Well, probably not, but I'm tempted from time to time.

An excellent post, Frank.
Thanks.

 

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>>Marcel wrote:
> While it may be true that we tend to be drawn to particular patterns of
> composition as a *viewer* of a well-composed shot, this does NOT necessarily
> translate to people instinctively creating photographs with good
> composition.

Yes, that's what I'm on about, it just seems like if people can tell
what they like the look of they should be able to recognise that and
take at least reasonable photos (compositionally if not technically).
I think that's what a lot of (visual) art is about, recognising what
looks good. I think what really interests me is why do people like what
they like, but that's a really broad area and way OT.

> Quite the reverse. I think it is most instinctive for people
> to do with their camera viewfinder--exactly what they/we do with our
> eyes...that being centering our eyes (and unfortunately, our viewfinders) on
> the most interesting spot.
>
That's true, it implies a lack of awareness of everything else in the
picture that they're not actively taking a photo of, which is part of
the skill.

> Where do we naturally look when we look at people??
> -The eyes.
> So where does the typical snap-shooter place the eyes of a person in their
> snaps??
> -Smack dab in the middle of the viewfinder! (ugh).
>
> This is easy to illustrate from most people's experience:
>
> How many times have you asked a stranger or family member to snap your
> pictures for you? What do they do??? -They cut off your feet, and include
> a big grey sky...all because they instinctively stuck your eyes right in the
> middle of the frame, without any thought whatsoever to the placement of
> other scene elements.
>
> THIS is instinctive.
> For the most part, I think we have to overcome this instinct in order to
> consistently create compelling shots.
>
Yes. So basically people have the ability to recognise a good picture
(in their own eyes) but it takes time to train yourself to apply that to
_taking_ them. Sounds fair. I think that answers my question.

> This is why if I ever hand someone my camera to snap my picture with
> someone, I always say something like, "Try to get our feet a bit above the
> bottom of the picture." -I think many people silently wonder to themselves:
> "Why does he want a picture of his feet???"
>
>
<

Tom

 

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"Tom Hudson" <gbz@fvathyne.bet.hx> wrote in message
news:41b6194c$0$216$bed64819@news.gradwell.net...
> >>Marcel wrote:

No he didn't... Mark2 wrote that.


> > While it may be true that we tend to be drawn to particular patterns of
> > composition as a *viewer* of a well-composed shot, this does NOT
necessarily
> > translate to people instinctively creating photographs with good
> > composition.
>
> Yes, that's what I'm on about, it just seems like if people can tell
> what they like the look of they should be able to recognise that and
> take at least reasonable photos (compositionally if not technically).

Ah...but that seems that way to you because you are a introspective person.
Sadly, most people are not, which is what leads so many folks to muted
success in many aspects of their lives--including photography.

>either nowhere
> I think that's what a lot of (visual) art is about, recognising what
> looks good. I think what really interests me is why do people like what
> they like, but that's a really broad area and way OT.

This is always a good question to ask though..."WHY did you pick THAT
image?"
I've been surprised many times with the images people pick out of a group,
because they chose something I woudn't/didn't. Their answers are usually
pretty generic, but every once in a while, you'll get someone that will
really have some insight on WHY they like images.

> > Quite the reverse. I think it is most instinctive for people
> > to do with their camera viewfinder--exactly what they/we do with our
> > eyes...that being centering our eyes (and unfortunately, our
viewfinders) on
> > the most interesting spot.
> >
> That's true, it implies a lack of awareness of everything else in the
> picture that they're not actively taking a photo of, which is part of
> the skill.
>
> > Where do we naturally look when we look at people??
> > -The eyes.
> > So where does the typical snap-shooter place the eyes of a person in
their
> > snaps??
> > -Smack dab in the middle of the viewfinder! (ugh).
> >
> > This is easy to illustrate from most people's experience:
> >
> > How many times have you asked a stranger or family member to snap your
> > pictures for you? What do they do??? -They cut off your feet, and
include
> > a big grey sky...all because they instinctively stuck your eyes right in
the
> > middle of the frame, without any thought whatsoever to the placement of
> > other scene elements.
> >
> > THIS is instinctive.
> > For the most part, I think we have to overcome this instinct in order to
> > consistently create compelling shots.
> >
> Yes. So basically people have the ability to recognise a good picture
> (in their own eyes) but it takes time to train yourself to apply that to
> _taking_ them.

I think so, but it's usually worse than that: I think most people recognise
what they like, but they rarely ever even ask themselves why they like it.
They just do. Some will say "because it's pretty" or "it's colorful" etc.,
but they don't often get much farther than that. Hopefully they reach a
point where they start making connections between the diverse visual
compositions they are drawn to, and begin to understand how to look for
these things with specific intent, rather than simply making reactionary
declarations when they are presented with a pre-determined product that
brings them visual pleasure.

>Sounds fair. I think that answers my question.

Hooray!

 

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"Mark²" <mjmorgan(lowest even number here)@cox..net> wrote in message
news:7pptd.402140$a85.399816@fed1read04...
> > Yes. So basically people have the ability to recognise a good picture
> > (in their own eyes) but it takes time to train yourself to apply that to
> > _taking_ them.
>
> I think so, but it's usually worse than that: I think most people
recognise
> what they like, but they rarely ever even ask themselves why they like it.
> They just do. Some will say "because it's pretty" or "it's colorful"
etc.,
> but they don't often get much farther than that. Hopefully they reach a
> point where they start making connections between the diverse visual
> compositions they are drawn to, and begin to understand how to look for
> these things with specific intent, rather than simply making reactionary
> declarations when they are presented with a pre-determined product that
> brings them visual pleasure.

First and foremost photographers must be keen observers. Then they must
translate those observations into their photographs.
IMHO,
me

 

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"Tom Hudson" <gbz@fvathyne.bet.hx> wrote in message
news:41b5fd16$0$220$bed64819@news.gradwell.net...
> me wrote:
>> "Tom Hudson" <gbz@fvathyne.bet.hx> wrote in message
>> news:41b5ceb6$0$223$bed64819@news.gradwell.net...
>
> See, I ramble on for clarity's sake and still can't get the point across.
> Ignore photography completely for a moment.
> People can look at an _image_ and see that it is pleasing (or not) to
> their eye. In order to decide that it is pleasing or otherwise requires
> some kind of processing internally, which suggests rules are involved -
> not explicitly learnt rules, but either socially picked up without
> realising or something we're born with.
> It's not that people like photos because they comply with the 'rules' of
> photography, it's that the 'rules' exist because they produce photos that
> people like.
> Does that make more sense? It's all got a bit more technical/philosophical
> than I was aiming for. Meta-photography.

I agree that most people can agree on what is a good image. But a good image
doesn't have to be a 'pleasing' image or one that people even like to
view...
http/cakeru.image.pbase.com/image/15470706.jpg
http/www.pbase.com/magus/image/15634978.jpg
http/www.pbase.com/zidar/image/8973787.jpg
http/www.pbase.com/davenit/image/34326372.jpg
....each is a good image but only the first would be considered a pleasing
one by most people. Only that one would hang 'nicely' on a living space
wall. If there are rules that can be followed to produce consistently good
and/or pleasing images then nobody has yet let them out of the bag. I think
that anyone can get lucky and get a good/pleasing image with a camera.
Anyone could hit bullseye on a dart board too. What you are really asking (I
think) is if making good/pleasing images consistently is possible through
applying defined rules. The answer IMHO is no. I believe that making
consistently appealing/powerful images is an innate talent. With photography
mastering the equipment and technique is a simple little endeavour that then
serves the photographers in-built visual sensibilities. Talent can be
developed and honed but it cannot be learnt. It doesn't need on rules.

>> Anyone can tell what they think is good just by looking.
>>
> But can they? Are some people less 'stimulated', for want of a better
> word, by visuals? Sorry - it's starting to sound like a psychology exam.

You're right. Some people are not turned on at all by visuals at all. My mum
has no interest in my 'real' photo's. She has no interest in painting,
sculpture or films either. She really wants to see lots and lots of holiday
snaps though, and she takes and cherishes more of these sorts of photo's
than anybody else I know.

>>>If this is the case, how can they tell if a photo looks good?
>>
>>
>> See above.
>>
>>
>>>Can they
>>>just not apply it to the things they see around them?
>>
>>
>> No they just can't get it on film.
>>
> Well that would be a yes for anyone can take a good photo and it's just a
> matter of learning.
>
> Tom

They can learn to focus, expose, etc. to perfection. Light forming and
control can be learnt. An understanding of how a scene will be recorded by
the film/sensor can be learnt. Knowing how to process and print to minimise
or overcome the limitations of the film/sensor is also learnable. But the
process of creating good imagery goes beyond these technicalities. I know
avid photographers that have been at it for 40+ years and know every little
thing about technique and equipment and yet they take consistently dull,
forgetable photographs. I know others (just a few) that hit the ground
running and were producing what most consider good imagery from their first
roll of film taken for the sake of image making
--
Simon
http/www.pbase.com/stanmore

 

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"Simon Stanmore" <nomail@thanks.com> wrote in message
news:1102453140.7851.0@nnrp-t71-03.news.uk.clara.net...
> I know
> avid photographers that have been at it for 40+ years and know every
little
> thing about technique and equipment and yet they take consistently dull,
> forgetable photographs. I know others (just a few) that hit the ground
> running and were producing what most consider good imagery from their
first
> roll of film taken for the sake of image making

There are all levels of talent both innate and learned. I wouldn't want
people to think that if they don't hit the ground running there's no hope of
them improving their talent. I believe anyone can improve regardless of
their age or where their skill level currently is.
IMHO,
me

 

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Paul H. wrote:
> Though some might deny it, expertise exists and can be acquired through
> reason and study. I'm pretty disdainful of "passion in photography",
> whatever that phrase means. I think a photographer should *know*
> photography and occasionally have passion for his subject-matter. A
> "passionate photographer" is often just a picture-taker with an attitude
> problem-- I guess that's why we have the two adjectives, "artistic" and
> "artsy."

At the moment I'm a very instinctive photographer, I need to feel
something when I look at the subject if I'm to get a decent photo of it
(or luck, as sometimes happens).
You're talking about a stage beyond that, which I might be able to get
to with enough practice, but I think that's a long way off at this
point. I can see how you'd get there though. Eventually you get enough
experience that you can just know what's right and what will work. It
won't always work out, but then it never does.

Cheers,

Tom

 

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Charles Schuler wrote:
>>What I'm getting at is that the basic elements of composition are built in
>>to everyone, and the ability to instinctively recognise them when you see
>>them.
>
> I disagree. There is some useful instinctual prowess in all of us; perhaps
> common sense. However, the best photographers study composition and study
> the works of masters to improve and they do improve! So can amateurs, by
> the way.
>
I only started reading about photography in the last couple of months.
My learning style is to do until I get stuck and then read, it's the
only way I can get anything to stick in my head (and works very well for
me). I have found it useful to read about photography I must say - in
some cases to see how others did it and _avoid_ doing it that way
because the results were awful (in my eyes at least, someone liked them
as they'd got to write books about it).

Tom

 

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I have found it useful to read about photography I must say - in
> some cases to see how others did it and _avoid_ doing it that way because
> the results were awful (in my eyes at least, someone liked them as they'd
> got to write books about it).

That's the way we all are. I go to the library and take a stack of
photography books to the nearest table and thumb through them. I find shots
that are not to my liking. I also find shots that are inspiring and then
think about what I could do to emulate them. I have improved through this
process.

I also think about the shots I don't like because somebody else likes them
and try to analyze the implications. Try it. You might be surprised at
what you come up with.

Finally, my wife is very artistic and I like discussing shots with her. Do
you have such a resource?

Have fun!

 

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OTOH if "greatness" is an intrinsic quality why is it that some "great"
artists were not proclaimed "great" until some time after they expired?

Alternatively it may be tempting to mix form with function and technique
and still miss the point: aesthetics exist because they are aesthetics

Aerticeus

 

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Simon Stanmore wrote:
> "Tom Hudson" <gbz@fvathyne.bet.hx> wrote in message
> news:41b5fd16$0$220$bed64819@news.gradwell.net...
>
> I agree that most people can agree on what is a good image. But a good image
> doesn't have to be a 'pleasing' image or one that people even like to
> view...
> http/cakeru.image.pbase.com/image/15470706.jpg
> http/www.pbase.com/magus/image/15634978.jpg
> http/www.pbase.com/zidar/image/8973787.jpg
> http/www.pbase.com/davenit/image/34326372.jpg
> ...each is a good image but only the first would be considered a pleasing
> one by most people.

I really like the 2nd, I don't think I'd hang it on the wall in my
house, but I do like it.

> Only that one would hang 'nicely' on a living space
> wall. If there are rules that can be followed to produce consistently good
> and/or pleasing images then nobody has yet let them out of the bag. I think
> that anyone can get lucky and get a good/pleasing image with a camera.
> Anyone could hit bullseye on a dart board too. What you are really asking (I
> think) is if making good/pleasing images consistently is possible through
> applying defined rules.
>
Not at all, I really need to work on communicating clearly <
I'm almost asking the opposite - Can people take good photos by
instinct. It's not quite what I'm asking, but it's a lot closer.

>>But can they? Are some people less 'stimulated', for want of a better
>>word, by visuals? Sorry - it's starting to sound like a psychology exam.
>
> You're right. Some people are not turned on at all by visuals at all. My mum
> has no interest in my 'real' photo's. She has no interest in painting,
> sculpture or films either. She really wants to see lots and lots of holiday
> snaps though, and she takes and cherishes more of these sorts of photo's
> than anybody else I know.
>
I occasionally have a set conversation with my mum, it goes something like:

mum: "Take a photo of that, that would make a good photo."
me: "Err, no, that's alright"
mum: "Oh go on, why not?"
me: "Because it wouldn't make a good photo."

I then get accused (sardonically) of being an 'artist'.
She likes posing unwilling family members for impromptu photos in which
everyone looks miserable because they're being posed in photos every
time the opportunity arises. If I'd just thought of that I could have
answered my own question - some people just can't see what makes a good
photo and photos are all about _what_ _is_ in them. Composition and what
shouldn't be in them be damned.


> They can learn to focus, expose, etc. to perfection. Light forming and
> control can be learnt. An understanding of how a scene will be recorded by
> the film/sensor can be learnt. Knowing how to process and print to minimise
> or overcome the limitations of the film/sensor is also learnable. But the
> process of creating good imagery goes beyond these technicalities. I know
> avid photographers that have been at it for 40+ years and know every little
> thing about technique and equipment and yet they take consistently dull,
> forgetable photographs. I know others (just a few) that hit the ground
> running and were producing what most consider good imagery from their first
> roll of film taken for the sake of image making

Well I can only hope I won't be the former, I don't think I will be, but
they probably don't either.

Tom

 

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casioculture@gmail.com wrote:
> Tom Hudson wrote:
>> Simon Stanmore wrote:
>>> "Tom Hudson" <gbz@fvathyne.bet.hx> wrote in message
>>> news:41b5fd16$0$220$bed64819@news.gradwell.net...
>>>
>>> I agree that most people can agree on what is a good image. But a
>>> good image doesn't have to be a 'pleasing' image or one that people
>>> even like to view...
>>> http/cakeru.image.pbase.com/image/15470706.jpg
>>> http/www.pbase.com/magus/image/15634978.jpg
>>> http/www.pbase.com/zidar/image/8973787.jpg
>>> http/www.pbase.com/davenit/image/34326372.jpg
>>> ...each is a good image but only the first would be considered a
>>> pleasing one by most people.
>>
>> I really like the 2nd, I don't think I'd hang it on the wall in my
>> house, but I do like it.
>>
>
> I really dislike the 4th.

Not a fan of Terry Gilliam's _Brazil_ either, I bet.


--
Frank ess