G
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@GillesML
"I read that as the author saying there is both VR on the lens (true) and the camera (Which I have not seen mentioned anywhere including the Nikon website)"
They may be refering to an additional scene mode that provides "digital image stabilization," a.k.a. high-ISO.
@rocharh
#3 - I figure the zoom race is the new megapixel race. It's won't be "who has the most megapixels" anymore. It's going to be "who has the most megapixels and the most zoom," both at the expense of quality. We haven't seen any drastic increases in quality since the 6-megapixel era. Almost all of the blame lies with marketing, too. If we could just stop trying to reinvent this wheel over and over again, we might actually be able to make it work well in the first place.
#5 - I find the FZ8 to be a better camera than the FZ18. A 12x optical zoom, you do have less zoom, but less distortion, and a lot better corner-to-corner sharpness throughout the full range. And the range is still plenty large.
But in fairness, both cameras have class-leading lens designs. I just don't find the extra telephoto useful. The extra wide is certainly nice, though.
#6 - I've always found Canon to provide the best noise levels. There's no entry-level SLR that can beat the XTi at ISO 800 or above. Even some prosumers can't touch it.
I've also found that, excepting the occasional Nikkor VR glass, Canon typically has the best optical stabilization systems. Sensor-shift stabilization systems like those in Olympus, Sony, and Pentax just don't work.
And Pentax has been around forever, and I think they'll be around for a long time to come. Pentax lenses are of a competing quality with Leica and (true) Zeiss, and their cameras offer an amazing amount of features and quality for their lower price tag. The only disadvantage is accessories are a little difficult to come by, but it's the same with Olympus and Sony. And we know that's not enough to stop them.
"I read that as the author saying there is both VR on the lens (true) and the camera (Which I have not seen mentioned anywhere including the Nikon website)"
They may be refering to an additional scene mode that provides "digital image stabilization," a.k.a. high-ISO.
@rocharh
#3 - I figure the zoom race is the new megapixel race. It's won't be "who has the most megapixels" anymore. It's going to be "who has the most megapixels and the most zoom," both at the expense of quality. We haven't seen any drastic increases in quality since the 6-megapixel era. Almost all of the blame lies with marketing, too. If we could just stop trying to reinvent this wheel over and over again, we might actually be able to make it work well in the first place.
#5 - I find the FZ8 to be a better camera than the FZ18. A 12x optical zoom, you do have less zoom, but less distortion, and a lot better corner-to-corner sharpness throughout the full range. And the range is still plenty large.
But in fairness, both cameras have class-leading lens designs. I just don't find the extra telephoto useful. The extra wide is certainly nice, though.
#6 - I've always found Canon to provide the best noise levels. There's no entry-level SLR that can beat the XTi at ISO 800 or above. Even some prosumers can't touch it.
I've also found that, excepting the occasional Nikkor VR glass, Canon typically has the best optical stabilization systems. Sensor-shift stabilization systems like those in Olympus, Sony, and Pentax just don't work.
And Pentax has been around forever, and I think they'll be around for a long time to come. Pentax lenses are of a competing quality with Leica and (true) Zeiss, and their cameras offer an amazing amount of features and quality for their lower price tag. The only disadvantage is accessories are a little difficult to come by, but it's the same with Olympus and Sony. And we know that's not enough to stop them.