AtomicSnipe :
I have downloaded Nikon NEF Codec, but it only allows me to view the NEF images, not convert them.
Yeah, the codec is probably the one for quick-viewing RAW images so you can manage the files on your disk more easily. There should be a separate RAW conversion program. I'm a Canon guy so don't know the Nikon software offerings, but this seems to be the right one.
https
/www.nikonusa.com/en/learn-and-explore/a/tips-and-techniques/nikon-capture-nx-d-software.html
And also, why would I convert it? Wouldn't that ruin the whole point of capturing in NEF? If not, which format should I convert to?
I'm not sure if this analogy works anymore because a lot of newer photographers have never shot film. But RAW is like a film negative. It contains all the information that the camera captured.
The JPEG is like a print. You took the negative, tweaked its exposure and colors, and produced a print. That print contains less information than the original negative, but it's been tweaked (colors adjusted, dynamic range curves modified for pleasing contrast, etc) so the image looks the best you could make it from the info contained in the negative or RAW file.
There are different philosophies on what your photo workflow should be like. As I mentioned, Adobe Lightroom lets you work on previews of the RAW files and only saves your editing steps. It only applies those steps to the RAW file when you're finally ready to convert it into an image (JPEG or TIFF). This miinimizes the number of and size of intermediate files, as well as allows you to easily repeat those editing steps if an improved RAW conversion process comes out (noise reduction is always improving). Personally this is the process I like.
Others like to convert the RAW file into a non-lossy TIFF, and work on that image file within Photoshop. If they need different color or different contrast from the RAW file, they'll generate a new TIFF and treat it as if it's a completely different photograph.
Others still just convert the RAW file to JPEG as quickly and as automatically as they can. Why don't the just shoot in JPEG? For the reason I gave - every once in a while you'll take a spectacular photo which can't be improved if all you have is the JPEG, but can be improved if you have the RAW file. If only for this reason, I recommend shooting in RAW instead of JPEG. Shooting in JPEG is basically having the camera do the RAW conversion process at the time the picture is taken, then deleting the RAW file as soon as the JPEG has been created. Storage is dirt cheap now, so it makes a lot more sense to me to keep a copy of the RAW file, just in case. (There's probably even a camera setting which makes it save the RAW + JPEG when you take the photo. You can choose that if you want the simplest workflow while retaining the RAW file.)