Photography: Artist vs technician

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<eawckyegcy@yahoo.com> wrote:
> Stacey wrote:
>
>> Bokeh is a prime example of a thing some "techies" claim doesn't exist.
>
> The "techies" are laughing themselves sick at the so-called artists who
> can't bring themselves to learn about spherical abberation.

Are the artists who know about spherical aberration laughing themselves
sick at the techies who can't spell it? :)

(Sorry, I couldn't resist. But when you laugh at someone...)

--
Jeremy | jeremy@exit109.com
 
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Tony Polson wrote:

> Those who really understand spherical aberration [sic] are of course
> aware of the dangers of over-correcting for it in an unthinking rush
> to claim ever-higher MTF, an arbitrary measure of lens quality if ever
> there was one.

You are ignorant of what you speak.
 
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Mike Henley wrote:
>
<snip>
> "Taste" on the other hand, is whether you like a
> thing or not, and too often people mistake it for "art". A piece of
> "art", if you've trained yourself or had been formally trained, can be
> admired regardless of taste, and in fact, that should be the case. The
> more you learn about "art", the more your tastes develop, and become
> aligned to what "art" actually is, hence an "artistic taste"; a little
> akin to wine, but not to confuse here, the more you learn about it, the
> more you appreciate a "fine wine" and its subtleties.
>
As an person untrained in 'art', but as a long-time photographer, I have
some difficulty in accepting that statement, at least at its face value.

I have seen a number of 'art' exhibitions, some of them controversial in
their content. One springs to mind immediately - a piece in an
international touring exhibition that came to New Zealand some years
ago.

This piece was a small statue of the virgin Mary, encased in a condom.

Myself, I am an agnostic, I follow no particular religion, but to me in
my untrained plebian state, that piece was an entirely distasteful
juxtaposition of components, designed purely to shock and revolt
viewers. The curator of the gallery that exhibited this display was
inundated with demands to withdraw the item, but he refused, defending
the "artist's" right to exhibit what he wanted. People tried to destroy
the piece, and the gallery had guards on duty to prevent people from
getting too close.

I infer from your remarks above that you would have admired it because
of your formal art training, your appreciation of its subtleties. In my
artistically uneducated state, what I saw in that piece was grossly
insulting even to me, let alone the Catholic believers in the
population.

I cannot believe that a fine art educated person can view such a piece,
with their 'artistic appreciation', and not experience the disgust and
revulsion evoked in ordinary people.

This sort of thing is typical of the 'Emperor's New Clothes' syndrome
displayed by 'artistic' types - expounding all sorts of nonsense about
artistic merit etc., and ignoring the plain fact that the piece is not
art; it is junk. Insulting, demeaning junk. Wannabe artists know that
their work 'should evoke a viewer reaction'. The easiest reaction to
evoke is revulsion, so that's what they do.

In my plebian mediocrity, It seems to me that the word 'fine' in fine
art applies not only to the degree of expertise of the artist, but also
to the quality of the intended response to his art. 'Fine art' should
not evoke dislike or revulsion in the majority of viewers.

'Fine art' that does not please is an oxymoron.

Colin
 
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Colin D wrote:
>
> Mike Henley wrote:
>
> <snip>
>
>>"Taste" on the other hand, is whether you like a
>>thing or not, and too often people mistake it for "art". A piece of
>>"art", if you've trained yourself or had been formally trained, can be
>>admired regardless of taste, and in fact, that should be the case. The
>>more you learn about "art", the more your tastes develop, and become
>>aligned to what "art" actually is, hence an "artistic taste"; a little
>>akin to wine, but not to confuse here, the more you learn about it, the
>>more you appreciate a "fine wine" and its subtleties.
>>
>
> As an person untrained in 'art', but as a long-time photographer, I have
> some difficulty in accepting that statement, at least at its face value.
>
> I have seen a number of 'art' exhibitions, some of them controversial in
> their content. One springs to mind immediately - a piece in an
> international touring exhibition that came to New Zealand some years
> ago.
>
> This piece was a small statue of the virgin Mary, encased in a condom.
>
> Myself, I am an agnostic, I follow no particular religion, but to me in
> my untrained plebian state, that piece was an entirely distasteful
> juxtaposition of components, designed purely to shock and revolt
> viewers. The curator of the gallery that exhibited this display was
> inundated with demands to withdraw the item, but he refused, defending
> the "artist's" right to exhibit what he wanted. People tried to destroy
> the piece, and the gallery had guards on duty to prevent people from
> getting too close.
>
> I infer from your remarks above that you would have admired it because
> of your formal art training, your appreciation of its subtleties. In my
> artistically uneducated state, what I saw in that piece was grossly
> insulting even to me, let alone the Catholic believers in the
> population.
>
> I cannot believe that a fine art educated person can view such a piece,
> with their 'artistic appreciation', and not experience the disgust and
> revulsion evoked in ordinary people.
>
> This sort of thing is typical of the 'Emperor's New Clothes' syndrome
> displayed by 'artistic' types - expounding all sorts of nonsense about
> artistic merit etc., and ignoring the plain fact that the piece is not
> art; it is junk. Insulting, demeaning junk. Wannabe artists know that
> their work 'should evoke a viewer reaction'. The easiest reaction to
> evoke is revulsion, so that's what they do.
>
> In my plebian mediocrity, It seems to me that the word 'fine' in fine
> art applies not only to the degree of expertise of the artist, but also
> to the quality of the intended response to his art. 'Fine art' should
> not evoke dislike or revulsion in the majority of viewers.
>
> 'Fine art' that does not please is an oxymoron.
>
> Colin

I don't claim to be an art expert, although I did have a course in 'art
appreciation' in college. However, I do know that much of what goes as
'art' is as phony as a 9 dollar bill. Some 'great' artists even admit
to passing some works that were only for their amusement at the expense
of art critics. Many of these artists are really talented people who
could do much better work, but were disillusioned by the pretentiousness
of 'art critics', and just sought to embarrass them. Unfortunately,
their works were highly praised, even though they resemble something
from a third grade art class, and people spent hugh sums of money on them.

Also, not all art is 'enjoyable'. I saw a painting many years ago that
was an abstract, labeled 'crucifiction'. Looking at the painting was
literally painful. Almost everyone who looked at it seemed repulsed,
and uncomfortable. I sincerely hope I NEVER lay eyes on it again, but I
am grateful for the experience. That was ART.



--
Ron Hunter rphunter@charter.net
 
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Colin D wrote:

> This piece was a small statue of the virgin Mary, encased in a condom.

This just sounds to me of an artist trying to get notoriety, as in
"there's no such thing as bad publicity'.

I could care less if an artist puts a statue of the "virgin" Mary in a
condom. It is not controversy to me. I doubt it's art either.

There was an "artist" in Toronto hanging chunks of meat and calling it
art. I don't care what he calls it but it pisses me off that the
government is giving him grants.

It pisses me off that the Canadian government paid a couple million
bucks for an American artist for a piece known as "Voice of Fire":

http://temagami.carleton.ca/jmc/cnews/22101999/c1c.htm

Put it up for auction. As far as whatever value it has (other than art,
because that's a big fat $12.93) will be better determined there.

Is it fair to determine the value of art by the price received for it?
Probably not. But it isn't fair for tax dollars to go to waste on what
could be best described as rotting meat and badly executed wall paper.

Cheers,
Alan


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"Colin D" <ColinD@killspam.127.0.0.1> wrote in message
news:42A8D835.EABE2AF1@killspam.127.0.0.1...
>
>
> Mike Henley wrote:
>>
> <snip>
>> "Taste" on the other hand, is whether you like a
>> thing or not, and too often people mistake it for "art". A piece of
>> "art", if you've trained yourself or had been formally trained, can be
>> admired regardless of taste, and in fact, that should be the case. The
>> more you learn about "art", the more your tastes develop, and become
>> aligned to what "art" actually is, hence an "artistic taste"; a little
>> akin to wine, but not to confuse here, the more you learn about it, the
>> more you appreciate a "fine wine" and its subtleties.
>>
> As an person untrained in 'art', but as a long-time photographer, I have
> some difficulty in accepting that statement, at least at its face value.
>
> I have seen a number of 'art' exhibitions, some of them controversial in
> their content. One springs to mind immediately - a piece in an
> international touring exhibition that came to New Zealand some years
> ago.
>
> This piece was a small statue of the virgin Mary, encased in a condom.

Today, the artist would probably create a sculpture of a Koran sitting in a
toilet bowl.....:^)
 
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"Alan Browne" <alan.browne@FreeLunchVideotron.ca> wrote in message
news:hw6qe.63627$tf4.288641@wagner.videotron.net...
> Colin D wrote:
>
>> This piece was a small statue of the virgin Mary, encased in a condom.
>
> This just sounds to me of an artist trying to get notoriety, as in
> "there's no such thing as bad publicity'.
>
> I could care less if an artist puts a statue of the "virgin" Mary in a
> condom. It is not controversy to me. I doubt it's art either.
>
> There was an "artist" in Toronto hanging chunks of meat and calling it
> art. I don't care what he calls it but it pisses me off that the
> government is giving him grants.
>
> It pisses me off that the Canadian government paid a couple million bucks
> for an American artist for a piece known as "Voice of Fire":
>
> http://temagami.carleton.ca/jmc/cnews/22101999/c1c.htm
>
> Put it up for auction. As far as whatever value it has (other than art,
> because that's a big fat $12.93) will be better determined there.
>
> Is it fair to determine the value of art by the price received for it?
> Probably not. But it isn't fair for tax dollars to go to waste on what
> could be best described as rotting meat and badly executed wall paper.
>
> Cheers,
> Alan

This letter was the best:

"P.T. Barnum was certainly right when he said 'There's one born every
minute.' But how come so many of them get to spend our tax dollars?" a woman
wrote in the Saskatoon Star-Phoenix.
 
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Alan Browne wrote:
> Colin D wrote:
>
>> This piece was a small statue of the virgin Mary, encased in a condom.
>
>
> This just sounds to me of an artist trying to get notoriety, as in
> "there's no such thing as bad publicity'.
>
> I could care less if an artist puts a statue of the "virgin" Mary in a
> condom. It is not controversy to me. I doubt it's art either.
>
> There was an "artist" in Toronto hanging chunks of meat and calling it
> art. I don't care what he calls it but it pisses me off that the
> government is giving him grants.
>
> It pisses me off that the Canadian government paid a couple million
> bucks for an American artist for a piece known as "Voice of Fire":
>
> http://temagami.carleton.ca/jmc/cnews/22101999/c1c.htm
>
> Put it up for auction. As far as whatever value it has (other than art,
> because that's a big fat $12.93) will be better determined there.
>
> Is it fair to determine the value of art by the price received for it?
> Probably not. But it isn't fair for tax dollars to go to waste on what
> could be best described as rotting meat and badly executed wall paper.
>
> Cheers,
> Alan
>
>
I don't think governments should try to promote art with taxpayer money,
period. If they must buy art, then it should have the broadest possible
appeal, which would certainly leave out the 'abstract' pictured.


--
Ron Hunter rphunter@charter.net
 
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William Graham wrote:
> "Colin D" <ColinD@killspam.127.0.0.1> wrote in message
> news:42A8D835.EABE2AF1@killspam.127.0.0.1...
>
>>
>>Mike Henley wrote:
>>
>><snip>
>>
>>>"Taste" on the other hand, is whether you like a
>>>thing or not, and too often people mistake it for "art". A piece of
>>>"art", if you've trained yourself or had been formally trained, can be
>>>admired regardless of taste, and in fact, that should be the case. The
>>>more you learn about "art", the more your tastes develop, and become
>>>aligned to what "art" actually is, hence an "artistic taste"; a little
>>>akin to wine, but not to confuse here, the more you learn about it, the
>>>more you appreciate a "fine wine" and its subtleties.
>>>
>>
>>As an person untrained in 'art', but as a long-time photographer, I have
>>some difficulty in accepting that statement, at least at its face value.
>>
>>I have seen a number of 'art' exhibitions, some of them controversial in
>>their content. One springs to mind immediately - a piece in an
>>international touring exhibition that came to New Zealand some years
>>ago.
>>
>>This piece was a small statue of the virgin Mary, encased in a condom.
>
>
> Today, the artist would probably create a sculpture of a Koran sitting in a
> toilet bowl.....:^)
>
>
No, THAT would cause riots, and violence, with the artist being marked
for death. Recall Simon Rushdie?


--
Ron Hunter rphunter@charter.net
 
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On Thu, 09 Jun 2005 19:09:08 -0500, Ron Hunter wrote:

> Also, not all art is 'enjoyable'. I saw a painting many years ago that
> was an abstract, labeled 'crucifiction'. Looking at the painting was
> literally painful. Almost everyone who looked at it seemed repulsed,
> and uncomfortable. I sincerely hope I NEVER lay eyes on it again, but I
> am grateful for the experience. That was ART.

Ah, now I get it. Your characteristic overquoting isn't the
result of laziness or not having time to trim. You're an artist!
:)
 
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On Fri, 10 Jun 2005, Ron Hunter, blue collar hero, foxily wrote:

> I don't think governments should try to promote art with taxpayer money,
> period. If they must buy art, then it should have the broadest possible
> appeal, which would certainly leave out the 'abstract' pictured.

Well by golly, if that's what you think, you may be a redneck!
 
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Ron Hunter wrote:

>>
>> Today, the artist would probably create a sculpture of a Koran
>> sitting in a toilet bowl.....:^)
>>
> No, THAT would cause riots, and violence, with the artist being
> marked for death. Recall Simon Rushdie?

Getting OT here, but part of the issue with the VM/condom is almost
cynical comedy (condomy?) wrt the Catholic Church' wide use of icons and
images. All despite clear instruction in the Old Testament regarding
graven images.

Desecration of the code (Bible, Koran) is a form of book burning and an
attack on religious beliefs and freedom of expression. It is no
surprise that it would cause strong upset amongst the faithful.

Salman Rushdie did nothing wrong, of course. He played at the edges of
questions of faith and illustrated the tension of a person wrt their
faith (IIRC). Honest writing that did not attack Islam, but put
questions to it. Islam is very intolerant of questioning the faith...
and this will eventually result, as it did for the Christian faith, in a
reformation and an outbreaking of intelligence in the leaders of the
faith ... in 500 or 1000 years or so.

Cheers,
Alan


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"William Graham" <weg9@comcast.net> wrote:
>
>But surely darkroom work is a part of photography....

Yes, of course. I greatly enjoy working in the darkroom.

>At least, in the past
>this was true. My dad spent many hours in the darkroom striving for good
>print quality. The film was just the beginning of his photographs.

But you have to start with a good photo. You cannot make a silk purse
out of a sow's ear. At least not with my darkroom skills ... ;-)

If you want to do some abstract art that's based on a photo, that's
fine. But once the non-photographic aspect(s) begin(s) to dominate,
it is no longer photography.
 
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Stacey <fotocord@yahoo.com> wrote:

>Alan Browne wrote:
>
>> Stacey wrote:
>>
>>
>>>
>>> Sure it is but there is a lot of "subjective quality" factors that these
>>> people ignore when doing a "review" of equipment. Everything doesn't boil
>>> down to something scientifically measureable and I've seen them go as far
>>> as saying if they can't measure it with their toolkit, then it doesn't
>>> exist. Bokeh is a prime example of a thing some "techies" claim doesn't
>>> exist.
>>
>> "Bokeh" is something difficult to quantify
>
>Which is why many techies downplay it's importance. They can't measure it.


Some techies even use stupid names for it, like "Schmuckle", to
demonstrate their contempt for something they simply cannot
understand.

;-)
 
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Tony Polson wrote:

> Stacey <fotocord@yahoo.com> wrote:
>
>
>>Alan Browne wrote:

>>>"Bokeh" is something difficult to quantify
>>
>>Which is why many techies downplay it's importance. They can't measure it.
>
>
>
> Some techies even use stupid names for it, like "Schmuckle", to
> demonstrate their contempt for something they simply cannot
> understand.

Rather just good humor over the name, but Tony Polson will of course
turn any little thing that offends him into the basis of personal
attacks on others. Not that it's effective.

Were Tony Polson to post some evidence of his ability as a photographer,
respect for Tony Polson might grow a smidgen and perhaps, just perhaps,
erase bad memories of his few pathtically bad images posted a few years ago.

I suggest Tony Polson begin by posting his Paris Match cover from the
1970's (along with the photo credit) as being a constructive credibility
builder.

Cheers,
Alan.

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eawckyegcy@yahoo.com wrote:

>Stacey wrote:
>
>> Bokeh is a prime example of a thing some "techies" claim doesn't exist.
>
>The "techies" are laughing themselves sick at the so-called artists who
>can't bring themselves to learn about spherical abberation.


Those who really understand spherical aberration [sic] are of course
aware of the dangers of over-correcting for it in an unthinking rush
to claim ever-higher MTF, an arbitrary measure of lens quality if ever
there was one.
 
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Just an added note here. Bokeh does exist and can be measured with graphs.

Firstly the roundness of OOF highlights, some might not mind polygonal
shapes, I suppose that's opinion but they are unnatural so if you want
that, it's a special effect like a starburst filter or the look of
grainy B&W film. Round apertures make more technically perfect bokeh.

Secondly the evennes of OOF highlights: worst is bright ring edges or
donuts, neutral/evenly illuminated is in the middle, softened edges are
best. All these can be measured by graphing intensity across a
controlled point light source at a given distance and aperture and are
effected by the design of the lens. Even when the circles are not
obvious, harsh edges cause a subtle busy-ness in the out of focus areas.

--
Paul Furman
http://www.edgehill.net/1
san francisco native plants
 
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Tony Polson <tp@nospam.net> wrote:

> Of course there is a wide range of visionary abilities, just as there
> is a wide range of technical abilities. Not every great artist is
> both a great visionary *and* a great technician.

Also there are periods in which technical abilities are appreciated more
or rather less. Take the golden age of oil painting versus the
expressionists and impressionists of the nineteenth century. Most of the
latter's work wasn't exactly made with a long life span in mind. An art
conservation specialist once told me that he and his colleagues feared
the time in which 20th century artworks will have to be preserved. Works
with markers on paper are nightmare to them.

Ton
 
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Ron Hunter <rphunter@charter.net> wrote:

> Viewer response is often the point of art. I know of a statue outside a
> chapel that is a rather abstract piece, and when people see it for the
> first time, they look at the statue, look up, and then comment on how
> ugly the statue is. But they had the response the artist intended. I
> know, because I discussed it with the artist. Very few people LIKE the
> statue, but almost everyone responds to it.

That may be true, but in teaching art students I have often experienced
that they consider viewer's reactions as irrelevant, possibly as a
defense mechanism against frustration. Many of those students, when
confronted with an interactive view between artist and viewer, remarked
they weren't interested in "theatre".

Ton
 
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Ton Maas wrote:


> That may be true, but in teaching art students I have often experienced
> that they consider viewer's reactions as irrelevant, possibly as a
> defense mechanism against frustration. Many of those students, when
> confronted with an interactive view between artist and viewer, remarked
> they weren't interested in "theatre".

Passive aggressive, I guess. It sounds like the latest popular excuse
that has made the rounds on the internet and is taken up by art students
as an escape.

It *is* a defense mechanism against responsibility. If an artist works
X hours a week at a non art job to support himself, I really don't care
what he thinks about his own art wrt being viewed by others.

So let's get right down to brass tacks:

If you want to be a 24/7 artist, then you better make it palatable to
the public so they buy it. No more government grants, no handouts. And
if the public isn't sophisticated enough for your art, well that's okay,
you can starve knowing that you are more sophisticated. That's art too,
right?

Artist, feed thyself.

(And Tom, the above is not aimed personally. I'm just very frustrated
with money wasted by the governemnt on artists who produce nothing of
value. Artistic or otherwise. )

Cheers,
Alan.


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