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Archived from groups: rec.audio.pro (More info?)
On Tue, 14 Dec 2004 21:23:23 -0500, Scott Dorsey wrote
(in article <cpo76r$dd6$1@panix2.panix.com>):
> Edward Bridge <edbridgeNOSPAM@earthlink.net> wrote:
>>
>> Question. how does one go about "treating" a small room to record a
>> classical singer . Before I start hammering old sleeping bags to the
>> ceiling, buying wall treatments or panels, are there some simple rules?
>> Room is 14 by 10, height is 9 . .Thank you .
>
> Get a much bigger room.
>
> Really.
>
> If you absolutely HAVE to record it in a place like this, making things
> as dead as possible, miking both the head and the stomach, and putting
> eveything through fake reverb MIGHT be a good way to deal with it.
>
> But really, can't you borrow a big room somewhere?
> --scott
>
>
>
What he said.
Ty Ford
-- Ty Ford's equipment reviews, audio samples, rates and other audiocentric
stuff are at www.tyford.com
On Tue, 14 Dec 2004 21:23:23 -0500, Scott Dorsey wrote
(in article <cpo76r$dd6$1@panix2.panix.com>):
> Edward Bridge <edbridgeNOSPAM@earthlink.net> wrote:
>>
>> Question. how does one go about "treating" a small room to record a
>> classical singer . Before I start hammering old sleeping bags to the
>> ceiling, buying wall treatments or panels, are there some simple rules?
>> Room is 14 by 10, height is 9 . .Thank you .
>
> Get a much bigger room.
>
> Really.
>
> If you absolutely HAVE to record it in a place like this, making things
> as dead as possible, miking both the head and the stomach, and putting
> eveything through fake reverb MIGHT be a good way to deal with it.
>
> But really, can't you borrow a big room somewhere?
> --scott
>
>
>
What he said.
Ty Ford
-- Ty Ford's equipment reviews, audio samples, rates and other audiocentric
stuff are at www.tyford.com