#1 is really more "old" than anything else. If you just changed the messages, it could more or less match how it is when we log into anything: instead of ACCESS GRANTED and ACCESS DENIED, we have "Welcome" and "Incorrect username and/or password." Coincidentally, these things (especially the "welcome" message) tend to be in a pretty large font.
#2 and #7 are egregious mistakes. For the former isn't actually possible even with FUTURE technology: it's impossible to accurately add information you don't have. It's just as plausible for a computer to tell you what that 3-pixel-wide reflection is, as it is for, say, a security camera to grant footage from a time before it was even installed by hitting the "rewind" button enough. Similarly, for flammables/explosives, fire needs more than just fuel and a spark: it needs air.
#5 is the one unrealistic thing I can plausibly forgive. After all, it's not like there's any people OUT THERE in space, so it's pretty clearly a dramatic effect.
#6 is slightly off-mark: bullets CAN physically push someone, though it typically depends on a variety of factors. Remember that not all bullets penetrate through the target, and even those that do expend an amount of their kinetic energy upon the target they plow through: this is why bullet holes have a tendency WIDER than the actual bullets that went through them. While for high-velocity rifle bullets, chances are this won't knock someone back. But for lower-velocity handgun rounds (especially things like police-issue hollowpoints specifically designed to NOT over-penetrate) chances are good that the target will receive a decent amount of momentum.
As for #11, there's a strong argument against what shades_aus said; what they mentioned were
instincts, not memories. They're behavioral traits that were never "learned" by any point along the ancestry, not even the original ancestors to do so.
As for #12... That's not the only head-scratcher
Star Trek: Nemesis had. Even if you ignore all the "science reality flaws," it still has an embarassing number of gaffes in continuity and storytelling. I really like how
this pictoral synopsis put it.