Okay, now we're getting somewhere! Your low pass is a 12db/oct filter and a good quality one. Yes, you're correct... If you look at the schematic, linked on that page, you'll see that the negative runs straight through; there is nothing between the input and output on the negative side. So the negative side of the signal does not 'run through' the filter. Yes, use the negative terminals on your filters.
"How would I accomplish a sub and a sat running from the same channel?" This is an easy one: Imagine they're both in the same cabinet, like mine are. I don't have to bi-wire them, because there's a metal strap on the + and another on the - side so I could connect with one cable. But I designed the inputs to be bi-wired and I choose to do so.
"You are also saying that I cannot wire passive filters in parallel?" Previously knowing nothing about your filters, I considered the simplest type - 6db/oct, which is a single coil (LP) and single cap (HP). These components are only connected in series. With 12db/oct and higher order filters, there are components connected across the + and - in strategic locations in the 'circuit' and they should not affect other speakers connected to the amp on the same channel.
Did that help?
Now here's the curve-ball: Remember when I mentioned minimum phase shift filters? Here's an decent article I found that touches on this (part pasted below). Using higher order filters causes phase-angle changes in the connected speakers. Take two identical speakers and switch the polarity on one. Then sit in the center and crank it up. It may make you sick; it does me! They cancel each other out and there's no bass, because they're 180 degrees out of phase. With your rig and the 2nd order filters, there will be a change in phase. It may or may not be as drastic as 180, but it will be there. You can experiment with changing the polarity on your sats, or rotating your subs 90 degrees. A lot depends on room placement and room placement is one reason powered subs have phase adjustments.
From:
https://www.audiofrog.com/community...-delays-and-crossovers-for-tweeters-and-mids/
About half way down. Same rules apply to lower frequencies.
'If we choose higher order crossovers, the phase relationship changes. In a second order crossover, the low pass lags by 90 and the high pass leads by 90. The difference is 180 degrees. That means that the speakers are out of phase. At and around the crossover, that matters because both speakers play the same thing. If they are out of phase, that creates a dip in the frequency response and it also means that at those frequencies, we hear the locations of the two speakers rather than the combination as one speaker, just like when our right and left speakers are out of phase and we hear no center image.
Next, is the response of the sum of the two filters. Because these are second order (12dB/oct) filters, the speakers are 180 degrees out of phase. At the crossover, that's a problem and it creates a big dip in the response.'