Photography: Artist vs technician

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On 17 Jun 2005 13:48:44 -0700, uraniumcommittee@yahoo.com wrote:

>No matter how good a dog is, it cannot be a cat.
>
>No matter how good a photograph is, it is not a work of art.

How about the theory that some artists (Da Vinci, for instance)
used camera obscura to assist them? Does the projected image
they used as a template mean their art isn't art?
 
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William Graham wrote:

> <uraniumcommittee@yahoo.com> wrote in message
> news:1119045446.225056.176990@g47g2000cwa.googlegroups.com...
>
>>'Beauty'? Who said anything about 'beauty'? That has nothing to do with
>>it.
>
>
> Well, if "art" isn't an attempt to create beauty, or that which is
> beautiful, then just what do you think it is?

There is no requiement that art be beautiful.
 
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William Graham wrote:


> breast that is 10 meters long, but if such a thing existed, Dali would
> capture it to perfection........

No, Dali would distort that one to be 2 cm or 2 km long and have a watch
hanging bent over it...

I love Dali and have several books. The technique is not as important
to me as the form. Oddly I get as much pleasure out of Escher as I do
Dali despite their very different styles and approaches to art.

Cheers,
Alan

--
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On 18 Jun 2005 09:31:16 -0700, uraniumcommittee@yahoo.com wrote:

>The principle is that, given that a photograph has not been doctored,
>it IS causally related to the scene it depicts and therefore can be
>used as evidence. A painting (alone) cannot be so used under any
>circumstances.

Well, sort of.
Take photography of autos, for example. A careful choice of lens and
background and foreground can make an unaltered photograph of an auto
give an entirely false impression of the size and styling of the auto.
To such an extent that, in fact, the use of such tactics can result in
charges of false advertising.
The idea that an unaltered photo can universally be accepted as
accurately depicting a scene or subject is false.
The rules of evidence for a photograph reflect this; a photo can be
used, for example, to show a particular person was at a certain scene
if the photo is properly vetted.
A photo can not be used to show that a person was at a particular
*spot* in a particular location unless the particulars of the
camera/lens and position of camera is known (and can be verified).

Just watching Monk for a season will let anyone know this. 🙂

>
>Stacey wrote:
>> uraniumcommittee@yahoo.com wrote:
>>
>> > No, you don't understand. The photograph of something proves that it
>> > exists.
>>
>> Not after you take the clone brush to it..
>>
>> > Thae painting does not. Photographs can be used as evidence in
>> > court.
>>
>> Maybe if you have the RAW file/negative. A print sure can't be in an
>> important case.
>> --
>>
>> Stacey

--
Bill Funk
replace "g" with "a"
 
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On 18 Jun 2005 09:34:02 -0700, uraniumcommittee@yahoo.com wrote:

>
>
>RichA wrote:
>> On 17 Jun 2005 13:48:44 -0700, uraniumcommittee@yahoo.com wrote:
>>
>> >No matter how good a dog is, it cannot be a cat.
>> >
>> >No matter how good a photograph is, it is not a work of art.
>>
>> How about the theory that some artists (Da Vinci, for instance)
>> used camera obscura to assist them? Does the projected image
>> they used as a template mean their art isn't art?
>
>No, because they could chose to follow the projected image or not...the
>painting is not an 'image'. An 'image' is causally related to something
>else.

>A 'picture' (the technical term for a painting)

Can you please show a site that supports this definition of a
painting? I can't seem to find one.
>is NOT causally
>related to anything. Photographs should not really be called 'pictures'
>for that reason.

See above.

I can't seem to find any support for your contention that a photo
isn't a picture. In fact, when I ask Google to define "picture"
(define: picture), photographs are specifically included as
"pictures".
A clarification of why everyone else is wrong would be appreciated.

--
Bill Funk
replace "g" with "a"
 
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Bill Funk wrote:
> On 18 Jun 2005 09:31:16 -0700, uraniumcommittee@yahoo.com wrote:
>
>> The principle is that, given that a photograph has not been
>> doctored,
>> it IS causally related to the scene it depicts and therefore can be
>> used as evidence. A painting (alone) cannot be so used under any
>> circumstances.
>
> Well, sort of.
> Take photography of autos, for example. A careful choice of lens and
> background and foreground can make an unaltered photograph of an
> auto
> give an entirely false impression of the size and styling of the
> auto.
> To such an extent that, in fact, the use of such tactics can result
> in
> charges of false advertising.

<Snip>

It was explained to me in an auto-oriented forum that manufacturers'
photographers consistently used jockey-size models in their
advertisements.

Cheaters.

--
Frank ess
 
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William Graham wrote:
>
<snip>

> There is little I find beautiful about a female
> breast that is 10 meters long, but if such a thing existed, Dali would
> capture it to perfection........

So would my (wide-angle) Canon ...

Colin
 
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On Fri, 17 Jun 2005 15:44:44 -0700, William Graham wrote:

>
> <uraniumcommittee@yahoo.com> wrote in message
> news:1119045446.225056.176990@g47g2000cwa.googlegroups.com...
>> 'Beauty'? Who said anything about 'beauty'? That has nothing to do with
>> it.
>
> Well, if "art" isn't an attempt to create beauty, or that which is
> beautiful, then just what do you think it is?
Modern art?
Examples I can think of are the Tate bricks, Tracy Eminems bed etc.
--
neil
delete delete to reply
 
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On Fri, 17 Jun 2005 15:44:44 -0700, William Graham wrote:

>
> <uraniumcommittee@yahoo.com> wrote in message
> news:1119045446.225056.176990@g47g2000cwa.googlegroups.com...
>> 'Beauty'? Who said anything about 'beauty'? That has nothing to do with
>> it.
>
> Well, if "art" isn't an attempt to create beauty, or that which is
> beautiful, then just what do you think it is?

To me (and I'm not an artist), art is an attempt on the part of the
artist to show the viewer what the artist saw.
It *might* be beauty, but it might be, instead, power, or sorrow, or a
host of other emotions or dimensions or characteristics of the subject
matter.
Beauty? Possibly, but certainly not universally.
I don't see how Munch was trying to express or create beauty with The
Scream.

--
Bill Funk
replace "g" with "a"
 
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On Fri, 17 Jun 2005 10:37:08 -0400, Alan Browne wrote:

> uraniumcommittee@yahoo.com wrote:
>
>> Nope. No photograph is a work of art, that one included.
>
> Your statement above is noise. There is no 'truth' in it, as
> established. You're fighting for a polarized viewpoint which is simply
> not supportable by the facts.
>
> Photographs can be art.
Art is in the mind of the beholder and is as individual as ones own face.

--
neil
delete delete to reply
 
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uraniumcommittee@yahoo.com wrote:
>
> No, you don't understand. The photograph of something proves that it
> exists. Thae painting does not. Photographs can be used as evidence in
> court. Painting cannot. Do you understand now? Paibtings have no
> <<causal connection>> to anything. Photographs do.

Excuse my butting in here. I've been reading the thread, but now I
would like some clarification on a point implied by your post.

Going on your 'causal' definition, this appears to be the sole
distinction you are making between painting and photography - that one
is 'causal', i.e. derived from reality, whereas a painting need not be
derived from reality.

Does it not strike you that that division is rather artificial?
Painting, sculpture, whatever, and photography all exist to produce a
visual statement receivable by the viewer. Each can provide an image
that may evoke pleasure, revulsion, shock, joy, sympathy, pity, rapture
- the whole gamut of human emotion.

So, your position is, despite the overwhelming global similarity between
mediums, the sole fact that one is 'causal' and one is not is the
criterion on which photography is deemed to be not art?

My question is, why does such a seemingly unimportant, technical
distinction have to exclude the entire world collection of photographs
from being considered as art? If your statement that 'any' painting,
good or bad, is art, then that applies to photographs as well.

In the real world, there is an unwritten standard that applies when
considering whether a particular image is worthy of being called art, as
used by galleries, collectors, etc. A similar standard applies to
photographic images as well, so Joe's snapshots would not seriously be
considered as art, specially as no such thought was in his mind when he
pressed the button.

The power of a photograph to move people's emotions cannot be denied,
and is probably greater than most paintings, because of the very fact
that the image *is* causal. Photography has motivated people to
completely change career, to volunteer assistance, even overseas to
needy situations, often to their own cost. Paintings do not have that
power, because they are not 'causal'. I see no reason to exclude the
photograph from being 'art' simply because of that distinction.

Colin
 
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uraniumcommittee@yahoo.com wrote:

>
> Colin D wrote:
>
>> If your statement that 'any' painting,
>>good or bad, is art, then that applies to photographs as well.
>
>
> Huh? The difference between 'art' and 'non-art' IS technical and not a
> matter of quality.


OK then you are talking about something else. You are talking about an
irrelevant distinction. Is advertising art? Lets just say for an example
an advertisement (painted) that makes the customer feel inadequate for
the purpose of tricking them through lies to buy the product. Is that
art? Is that philosophically 'aesthetic?'


--
Paul Furman
http://www.edgehill.net/1
san francisco native plants
 
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On Fri, 17 Jun 2005 10:50:13 -0700, uraniumcommittee wrote:

> Aesthetics is the conceptual analysis of the structure and nature of
> art, much like Linguistics is study of the structure and nature of
> languages. Just because you can form a sentence does not make you an
> expert in liguistics. The same goes here. These are ADVANCED concepts.
> Photographers (by nature classed as idiots) are not fit to discuss the
> subject.
I agree . There is just one thing worse - YOU.
--
neil
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On Fri, 17 Jun 2005 13:57:51 -0700, uraniumcommittee wrote:

> 'Art' is not better than 'non-art'. A really good photograph is no
> closer to being art than a bad one. A really bad painting is art.
>
> 'Art' is not a term of praise. It is a technical term, like
> 'lubricant'. No matter how well made a brake drum is, it is not a
> lubricant....
I wish you knew what you are talking about and how to post on newsnet.

--
neil
delete delete to reply
 
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"Bill Funk" <BigBill@there.com> wrote in message
news:iaq8b1dtr3f0r2jq51bad7ql1dcc45m722@4ax.com...
> On Fri, 17 Jun 2005 15:44:44 -0700, William Graham wrote:
>
>>
>> <uraniumcommittee@yahoo.com> wrote in message
>> news:1119045446.225056.176990@g47g2000cwa.googlegroups.com...
>>> 'Beauty'? Who said anything about 'beauty'? That has nothing to do with
>>> it.
>>
>> Well, if "art" isn't an attempt to create beauty, or that which is
>> beautiful, then just what do you think it is?
>
> To me (and I'm not an artist), art is an attempt on the part of the
> artist to show the viewer what the artist saw.
> It *might* be beauty, but it might be, instead, power, or sorrow, or a
> host of other emotions or dimensions or characteristics of the subject
> matter.
> Beauty? Possibly, but certainly not universally.
> I don't see how Munch was trying to express or create beauty with The
> Scream.
>
This is true, but to me, it's the work that is beautiful....that is, the
artist's ability to capture whatever he saw, or wanted to portray....that's
where the beauty lies. The subject matter, however, need not be
beautiful.....
 
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William Graham wrote:
> "Bill Funk" <BigBill@there.com> wrote in message
> news:iaq8b1dtr3f0r2jq51bad7ql1dcc45m722@4ax.com...
>> On Fri, 17 Jun 2005 15:44:44 -0700, William Graham wrote:
>>
>>>
>>> <uraniumcommittee@yahoo.com> wrote in message
>>> news:1119045446.225056.176990@g47g2000cwa.googlegroups.com...
>>>> 'Beauty'? Who said anything about 'beauty'? That has nothing to
>>>> do
>>>> with it.
>>>
>>> Well, if "art" isn't an attempt to create beauty, or that which is
>>> beautiful, then just what do you think it is?
>>
>> To me (and I'm not an artist), art is an attempt on the part of the
>> artist to show the viewer what the artist saw.
>> It *might* be beauty, but it might be, instead, power, or sorrow,
>> or
>> a host of other emotions or dimensions or characteristics of the
>> subject matter.
>> Beauty? Possibly, but certainly not universally.
>> I don't see how Munch was trying to express or create beauty with
>> The
>> Scream.
>>
> This is true, but to me, it's the work that is beautiful....that is,
> the artist's ability to capture whatever he saw, or wanted to
> portray....that's where the beauty lies. The subject matter,
> however,
> need not be beautiful.....

The ability to capture is significant, no doubt; however, I'd reckon
"Art" will have among its principal components the intent to convey
something about relationships among the artist, the subject, and the
viewer.

Munch had some feelings that he embedded in the painting, which I
believe he intended as a kind of invitation to anyone viewing it.
"Join me in experiencing the depth and breadth of these emotions." He
painted in a way he hoped would facilitate a connection.

I believe a photographer can do the same, through choice of medium,
color, definition, subject, size, aspect, perspective. Just as Munch
did. Munch may never have seen a particular face to spur such a
response, may have imagined it, or seen something with that cargo in
some form in his memory.

A photographer has the additional task of finding a subject to be the
vessel for the cargo. Or, he may have an array of cargos, and
encounter or arrange a subject, suited to one of them.

In any case, it seems to me the essential elements of "Art" have to do
with the intent and process of communicating some load in addition to
mere content in both painting and photography, and an inspired (to any
degree) craftsman can grow art in either medium.

--
Frank ess
 
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Frank ess wrote:

> William Graham wrote:
>
>> "Bill Funk" <BigBill@there.com> wrote in message
>> news:iaq8b1dtr3f0r2jq51bad7ql1dcc45m722@4ax.com...
>>
>>> On Fri, 17 Jun 2005 15:44:44 -0700, William Graham wrote:
>>>
>>>>
>>>> <uraniumcommittee@yahoo.com> wrote in message
>>>> news:1119045446.225056.176990@g47g2000cwa.googlegroups.com...
>>>>
>>>>> 'Beauty'? Who said anything about 'beauty'? That has nothing to do
>>>>> with it.
>>>>
>>>>
>>>> Well, if "art" isn't an attempt to create beauty, or that which is
>>>> beautiful, then just what do you think it is?
>>>
>>>
>>> To me (and I'm not an artist), art is an attempt on the part of the
>>> artist to show the viewer what the artist saw.
>>> It *might* be beauty, but it might be, instead, power, or sorrow, or
>>> a host of other emotions or dimensions or characteristics of the
>>> subject matter.
>>> Beauty? Possibly, but certainly not universally.
>>> I don't see how Munch was trying to express or create beauty with The
>>> Scream.
>>>
>> This is true, but to me, it's the work that is beautiful....that is,
>> the artist's ability to capture whatever he saw, or wanted to
>> portray....that's where the beauty lies. The subject matter, however,
>> need not be beautiful.....
>
>
> The ability to capture is significant, no doubt; however, I'd reckon
> "Art" will have among its principal components the intent to convey
> something about relationships among the artist, the subject, and the
> viewer.


I agree with all that but the beauty component is real and it's in the
sincerity and/or depth of the communication. An advertiser, propagandist
or pornographer might convey feelings very effectivey but the taste
could be nasty once you realize what's going on. That nasty taste is the
opposite of the kind of beauty that makes great art. The Munch angst
leaves you moved, like a heartfelt blues riff feels good.

Take the example of what's-his-name from the other thread with the
celebrity portraits and his pussy portfolio project. When I look at most
of those, I get a strong reaction but they leave a nasty taste in my
mouth. He's a very skillful ad man but not an artist IMO.


>
> Munch had some feelings that he embedded in the painting, which I
> believe he intended as a kind of invitation to anyone viewing it. "Join
> me in experiencing the depth and breadth of these emotions." He painted
> in a way he hoped would facilitate a connection.
>
> I believe a photographer can do the same, through choice of medium,
> color, definition, subject, size, aspect, perspective. Just as Munch
> did. Munch may never have seen a particular face to spur such a
> response, may have imagined it, or seen something with that cargo in
> some form in his memory.
>
> A photographer has the additional task of finding a subject to be the
> vessel for the cargo. Or, he may have an array of cargos, and encounter
> or arrange a subject, suited to one of them.
>
> In any case, it seems to me the essential elements of "Art" have to do
> with the intent and process of communicating some load in addition to
> mere content in both painting and photography, and an inspired (to any
> degree) craftsman can grow art in either medium.
>

--
Paul Furman
http://www.edgehill.net/1
san francisco native plants
 
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One-liner inserted below:
"There's no accounting for taste".

--
Frank ess

Paul Furman wrote:
> Frank ess wrote:
>
>> William Graham wrote:
>>
>>> "Bill Funk" <BigBill@there.com> wrote in message
>>> news:iaq8b1dtr3f0r2jq51bad7ql1dcc45m722@4ax.com...
>>>
>>>> On Fri, 17 Jun 2005 15:44:44 -0700, William Graham wrote:
>>>>
>>>>>
>>>>> <uraniumcommittee@yahoo.com> wrote in message
>>>>> news:1119045446.225056.176990@g47g2000cwa.googlegroups.com...
>>>>>
>>>>>> 'Beauty'? Who said anything about 'beauty'? That has nothing to
>>>>>> do with it.
>>>>>
>>>>>
>>>>> Well, if "art" isn't an attempt to create beauty, or that which
>>>>> is
>>>>> beautiful, then just what do you think it is?
>>>>
>>>>
>>>> To me (and I'm not an artist), art is an attempt on the part of
>>>> the
>>>> artist to show the viewer what the artist saw.
>>>> It *might* be beauty, but it might be, instead, power, or sorrow,
>>>> or a host of other emotions or dimensions or characteristics of
>>>> the
>>>> subject matter.
>>>> Beauty? Possibly, but certainly not universally.
>>>> I don't see how Munch was trying to express or create beauty with
>>>> The Scream.
>>>>
>>> This is true, but to me, it's the work that is beautiful....that
>>> is,
>>> the artist's ability to capture whatever he saw, or wanted to
>>> portray....that's where the beauty lies. The subject matter,
>>> however, need not be beautiful.....
>>
>>
>> The ability to capture is significant, no doubt; however, I'd
>> reckon
>> "Art" will have among its principal components the intent to convey
>> something about relationships among the artist, the subject, and
>> the
>> viewer.
>
>
> I agree with all that but the beauty component is real and it's in
> the
> sincerity and/or depth of the communication. An advertiser,
> propagandist or pornographer might convey feelings very effectivey
> but the taste could be nasty once you realize what's going on. That
> nasty taste is the opposite of the kind of beauty that makes great
> art. The Munch angst leaves you moved, like a heartfelt blues riff
> feels good.
> Take the example of what's-his-name from the other thread with the
> celebrity portraits and his pussy portfolio project. When I look at
> most of those, I get a strong reaction but they leave a nasty taste
> in my mouth. He's a very skillful ad man but not an artist IMO.
>
>

"There's no accounting for taste".


>>
>> Munch had some feelings that he embedded in the painting, which I
>> believe he intended as a kind of invitation to anyone viewing it.
>> "Join me in experiencing the depth and breadth of these emotions."
>> He painted in a way he hoped would facilitate a connection.
>>
>> I believe a photographer can do the same, through choice of medium,
>> color, definition, subject, size, aspect, perspective. Just as
>> Munch
>> did. Munch may never have seen a particular face to spur such a
>> response, may have imagined it, or seen something with that cargo
>> in
>> some form in his memory.
>>
>> A photographer has the additional task of finding a subject to be
>> the
>> vessel for the cargo. Or, he may have an array of cargos, and
>> encounter or arrange a subject, suited to one of them.
>>
>> In any case, it seems to me the essential elements of "Art" have to
>> do with the intent and process of communicating some load in
>> addition to mere content in both painting and photography, and an
>> inspired (to any degree) craftsman can grow art in either medium.
 
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"Frank ess" <frank@fshe2fs.com> wrote in message
news:zfGdnR9TZssyVSnfRVn-iQ@giganews.com...
> William Graham wrote:
>> "Bill Funk" <BigBill@there.com> wrote in message
>> news:iaq8b1dtr3f0r2jq51bad7ql1dcc45m722@4ax.com...
>>> On Fri, 17 Jun 2005 15:44:44 -0700, William Graham wrote:
>>>
>>>>
>>>> <uraniumcommittee@yahoo.com> wrote in message
>>>> news:1119045446.225056.176990@g47g2000cwa.googlegroups.com...
>>>>> 'Beauty'? Who said anything about 'beauty'? That has nothing to do
>>>>> with it.
>>>>
>>>> Well, if "art" isn't an attempt to create beauty, or that which is
>>>> beautiful, then just what do you think it is?
>>>
>>> To me (and I'm not an artist), art is an attempt on the part of the
>>> artist to show the viewer what the artist saw.
>>> It *might* be beauty, but it might be, instead, power, or sorrow, or
>>> a host of other emotions or dimensions or characteristics of the
>>> subject matter.
>>> Beauty? Possibly, but certainly not universally.
>>> I don't see how Munch was trying to express or create beauty with The
>>> Scream.
>>>
>> This is true, but to me, it's the work that is beautiful....that is,
>> the artist's ability to capture whatever he saw, or wanted to
>> portray....that's where the beauty lies. The subject matter, however,
>> need not be beautiful.....
>
> The ability to capture is significant, no doubt; however, I'd reckon "Art"
> will have among its principal components the intent to convey something
> about relationships among the artist, the subject, and the viewer.
>
> Munch had some feelings that he embedded in the painting, which I believe
> he intended as a kind of invitation to anyone viewing it. "Join me in
> experiencing the depth and breadth of these emotions." He painted in a way
> he hoped would facilitate a connection.
>
> I believe a photographer can do the same, through choice of medium, color,
> definition, subject, size, aspect, perspective. Just as Munch did. Munch
> may never have seen a particular face to spur such a response, may have
> imagined it, or seen something with that cargo in some form in his memory.
>
> A photographer has the additional task of finding a subject to be the
> vessel for the cargo. Or, he may have an array of cargos, and encounter or
> arrange a subject, suited to one of them.
>
> In any case, it seems to me the essential elements of "Art" have to do
> with the intent and process of communicating some load in addition to mere
> content in both painting and photography, and an inspired (to any degree)
> craftsman can grow art in either medium.
>
> --
> Frank ess
I would say that photography can be art. That is, a photographer can use the
medium to create artistic works. But in many cases, (mine, for example) the
camera is just a tool to record the scenes of my life that I will enjoy
looking at later, and my children and grandchildren may enjoy later also. I
do not attempt to create works of art, only decent compositions that are not
out of focus, or exposed badly. And I am sure that in many other cases,
photographers simply use cameras to record things, either for scientific
purposes, or for later information retrieval or verification.
 
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William Graham wrote:

>
> "Stacey" <fotocord@yahoo.com> wrote in message
> news:3hhvv3Fh9eofU2@individual.net...
>> uraniumcommittee@yahoo.com wrote:
>>
>>> No, you don't understand. The photograph of something proves that it
>>> exists.
>>
>> Not after you take the clone brush to it..
>>
>>> Thae painting does not. Photographs can be used as evidence in
>>> court.
>>
>> Maybe if you have the RAW file/negative. A print sure can't be in an
>> important case.
>> --
>>
>> Stacey
>
> In the 1430's a realistic painter like Jan Van Eyck could use his
> paintings as court testimony as long as he was there to assert that things
> were as he painted them to be....Today, photographs can be used in court
> as long as the photographer is there to provide the same testimony. And
> the reason is the same in both cases. Just as a painting can be altered,
> so can a photograph be altered......

Yep. If it was something like MY murder trial, I'd want the negative/RAW
file produced. Don't forensic photographers shoot RAW with digital for this
reason?

--

Stacey