Archived from groups: rec.audio.pro (
More info?)
On Mon, 28 Feb 2005 05:27:40 GMT, "David Morgan \(MAMS\)"
<mams@NOSPAm-a-m-s.com> wrote:
>
>"play_on" <playonAT@comcast.net> wrote in message news:nf6221p9l8pa4q2kg1kj9ggqcnou8aee3u@4ax.com...
>> On Sat, 26 Feb 2005 19:04:43 -0500, "Roger W. Norman"
>> <rnorman@starpower.net> wrote:
>>
>> >But what you consider to be parasitic middleman is probably what you'd be
>> >willing to pay for in order to get your property heard in multiple markets
>> >with the attendent live shows to supplement your meager earnings while you
>> >maintain your musical aloofness. And with tour support, you may get into
>> >markets with bigger venues, tour sound that would be totally incumbent upon
>> >you to provide, radio spots so people know you're in town, etc.
>>
>> Sure... I'm speaking more of the distribution and record stores.
>>
>> >There is no such thing as an internet national or international act unless
>> >they had their start with a major. I'd like to believe that I can think out
>> >of the box when necessary, but I have to wonder just how anyone could
>> >possibly end up a national act with only internet exposure, although I did
>> >come up with an alternative possibility about two years ago.
>>
>> Actually there have been acts that gained noteriety on the 'net first,
>> then later going on to sell product in the conventional manner.
>>
>> Al
>
>I swear I'm not being rude, but I'd like to know a couple of names. I am
>seriously interested in the potential.
I tried to find this info, as I really can't remember all the names...
I don't really follow current pop. I recall one interview with a hip
hop guy who said he had mixed feelings about file sharing, as he
didn't like losing royalties but at the same time it was free
downloads that broke his first single out.
Al