G
Guest
Guest
Archived from groups: alt.audio.pro.live-sound,rec.audio.pro (More info?)
>
> Because when your stage levels start getting high, the way the whole room
> is covered (ie. the wide dispersion) becomes a quick path to feedback.
> Your question is what sort of stage levels can you get away with in the
> sorts of halls that you play in. I can't answer that for you, but an audition
> for a couple gigs might.
> --scott
>
I see. Thanks Scott.
We try not to be too loud - but I have no idea what that level is in
relation to the feedback of the PAS. Like you said - we'd have to try it.
>
> Because when your stage levels start getting high, the way the whole room
> is covered (ie. the wide dispersion) becomes a quick path to feedback.
> Your question is what sort of stage levels can you get away with in the
> sorts of halls that you play in. I can't answer that for you, but an audition
> for a couple gigs might.
> --scott
>
I see. Thanks Scott.
We try not to be too loud - but I have no idea what that level is in
relation to the feedback of the PAS. Like you said - we'd have to try it.